Role and mission of art in similarities of martyr and witness
Ben Mohammad Ben Chichi (Shashi) better known as Khajeh Ahrar, in the beautiful description of Aboo Saeed in the thesis (Huraieh) and according to the late Bahmanyar who is at the end, Khajeh Ahrar in his description has said that: this foursome is educational, in the state that the friendly ghosts with thousand joys will go to his glory. And Hurrah with angels that appear to the human at the time of death, will be a hint to the human soul, it is logical that the police of heaven is the heart, yje black mole is the sign of humility that appears at the time of death, the symbol of human strength which is always changing and the meaning of tampering, truth and being, and scratching is pointing to the strength that relies on the soul
Ben Mohammad Ben Chichi (Shashi) better known as Khajeh Ahrar, in the beautiful description of Aboo Saeed in the thesis (Huraieh) and according to the late Bahmanyar who is at the end, Khajeh Ahrar in his description has said that: this foursome is educational, in the state that the friendly ghosts with thousand joys will go to his glory. And Hurrah with angels that appear to the human at the time of death, will be a hint to the human soul, it is logical that the police of heaven is the heart, yje black mole is the sign of humility that appears at the time of death, the symbol of human strength which is always changing and the meaning of tampering, truth and being, and scratching is pointing to the strength that relies on the soul
It is really a strange moment that Khaje describes; is the moment, moment of surrender, or a time of getting lovers together, and we can not with the emphasis that has been made on the human value go to where going is an illusion, or we must say humanity is nothing unless when pulled by leeches and if not on time becomes a corpse until where description of eternity is pain. And the condition of getting there depends on individual obedience. Hence the freedom in humans has been found in eternity, and when human does what he is suppose to is when he owes a friend, what are your commands ? Heads of Islam and educators have known him to be an example of freedom straightness, although they have commented on what has an interior and exterior being which includes the human.
Among the heads Hakim Aboo Ali Sina has a famous point of view; he says: truth depends on each individual being and true feelings come out at the end and that true feeling is the core of that being. It is respect that decides final satisfaction. Everything in this world exists in its own way, but space or ultimate being thats the creator of all things is not only connected in one life, therefore closeness to things of value has no room in this world, but it is only God that has an eternal value.
Its not without reason that educators have said so much in connection to this subject; including Attar Neishaboori who has said : lovers who live by their friends are just as guilty or : lovers who come to themselves come to their lovers in their prayers and also whoever does not owe, their fearless love does not know, the price of self sacrificing love, the worshipers of the night know the meaning of this well, and how happily they have stepped into the arena of love, but the sound of uproar got to them, and in the way of worship and the straight road they traveled and did good, and on their way they left signs for those after them, so that those who want to become passengers of this world, the path is clear for them and in the lonely night they don't have to search inside out for the bait of the wolf.
Hence martyrs with their red blood and writers with their pens, leave signs in each period of time. But truthfully is just keeping their memory alive enough? Or do we have to do something to increase the path of the martyr. Without a doubt efforts to keep their signs and symbols and their point of view alive is a special opportunity and needs great efforts. This art can be the image of a very important incident in this world. Let's not forget the Imam commanded: the art of appearing as a ghost is being in the mould of a human, what guaranty better than the promise of the one and only and the need of his of alter? The delicate point that has been mentioned among the art emphasizes that the matter of warriors and art makers should not stop our efforts in this open road.
Of course the attention of these critics is on the category of believing and they also try to direct the artists in that way too. Even for the sake of change, from the responsible parties, philosophers and artists that are known in the world of art and weather them have a religious outlook or not, for explaining the subject more I'll point to some examples. Goorkie writes: a human should always be a champion; a man from each period has b
It is really a strange moment that Khaje describes; is the moment, moment of surrender, or a time of getting lovers together, and we can not with the emphasis that has been made on the human value go to where going is an illusion, or we must say humanity is nothing unless when pulled by leeches and if not on time becomes a corpse until where description of eternity is pain. And the condition of getting there depends on individual obedience. Hence the freedom in humans has been found in eternity, and when human does what he is suppose to is when he owes a friend, what are your commands ? Heads of Islam and educators have known him to be an example of freedom straightness, although they have commented on what has an interior and exterior being which includes the human.
Among the heads Hakim Aboo Ali Sina has a famous point of view; he says: truth depends on each individual being and true feelings come out at the end and that true feeling is the core of that being. It is respect that decides final satisfaction. Everything in this world exists in its own way, but space or ultimate being thats the creator of all things is not only connected in one life, therefore closeness to things of value has no room in this world, but it is only God that has an eternal value.
Its not without reason that educators have said so much in connection to this subject; including Attar Neishaboori who has said : lovers who live by their friends are just as guilty or : lovers who come to themselves come to their lovers in their prayers and also whoever does not owe, their fearless love does not know, the price of self sacrificing love, the worshipers of the night know the meaning of this well, and how happily they have stepped into the arena of love, but the sound of uproar got to them, and in the way of worship and the straight road they traveled and did good, and on their way they left signs for those after them, so that those who want to become passengers of this world, the path is clear for them and in the lonely night they don't have to search inside out for the bait of the wolf.
Hence martyrs with their red blood and writers with their pens, leave signs in each period of time. But truthfully is just keeping their memory alive enough? Or do we have to do something to increase the path of the martyr. Without a doubt efforts to keep their signs and symbols and their point of view alive is a special opportunity and needs great efforts. This art can be the image of a very important incident in this world. Let's not forget the Imam commanded: the art of appearing as a ghost is being in the mould of a human, what guaranty better than the promise of the one and only and the need of his of alter? The delicate point that has been mentioned among the art emphasizes that the matter of warriors and art makers should not stop our efforts in this open road.
Of course the attention of these critics is on the category of believing and they also try to direct the artists in that way too. Even for the sake of change, from the responsible parties, philosophers and artists that are known in the world of art and weather them have a religious outlook or not, for explaining the subject more I'll point to some examples. Goorkie writes: a human should always be a champion; a man from each period has b
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