Navideshahed: At one night when his father returned from the confectionery, he said: “I don’t like Mujtaba to go to the war at all.” Mir Mujtaba looked down and he slowly said: “If you don’t let me go to the war , from tomorrow I will go on hunger strike.”
News ID: 386047 Publish Date : 2019/12/16
Navideshahed.com : He would say: “I don’t wish my body to return to the city after my martyrdom, because I’m a commander and I will be sorry for those martyrs whose corpses have been left in the battlefields.”
News ID: 386008 Publish Date : 2019/11/09
The present article with the title of "searching in the black fiction of the sacred defense" is known as a famous assumption in the fiction of the war .
News ID: 385819 Publish Date : 2019/06/09
News ID: 385557 Publish Date : 2018/11/23
The Dignity of martyrs ;
It was for a month that we could not find Ibrahim . those who were friend with Ibrahim were injured where ever we gathered , they all spoke about Ibrahim and cried .
News ID: 385472 Publish Date : 2018/09/16
News ID: 385452 Publish Date : 2018/09/04
Iranian forces recaptured the strategic port city during landmark operation code-named Beit ol-Moqaddas in 1982, putting an end to over 500 days of the Iraqi occupation.
News ID: 385340 Publish Date : 2018/05/26
Masoome Ramhormozi:
Masoome Ramhormozi believed that memories of the Holy Defense era have rainbow colors and must get new products from war memories such as story, scripts and drama.
News ID: 385269 Publish Date : 2017/10/14
News ID: 385091 Publish Date : 2016/11/15
News ID: 385089 Publish Date : 2016/11/15
When you talk to Azizollah Nekouei, you can honesty in his words and it is really good. Still remembering the difficult days of war and the time that he was with his comrades, makes him to cry in tears. What you read bellow is an exclusive interview with Azizollah Nekouei, one of the chemically injured veterans from Iran-Iraq war era:
News ID: 385072 Publish Date : 2016/11/05
After about 3 decades since the beginning of the imposed war and the creation of the early works of theater of the Sacred defense war and about twenty years after its end, it is possible to say after looking at the bulk of the works that have been produces that one of the main problems and issues of the theater of the Sacred defense war is lack of attention to the item of interest or devaluation of it in the theater of the Sacred defense war . Interest is an item, the presence of which, gives life to a theatrical work and the absence of which takes away life from it. . .
News ID: 385046 Publish Date : 2016/10/31
As other types of play writing, play writing in the field of war or resistance can be studied from different points of views. In this respect, we can refer to different points of views such as sociology, psychology, home and family, characterization, dialogue writing, subject, plot, structure, presence of different character and types of people as well as point of view of self sacrifice, martyrdom and resistance. While writing plays for war theatre or resistance theatre, concepts such as self sacrifice, martyrdom and resistance are special concepts. These concepts have always been noticed by play writers. These concepts have some times appeared in special outstanding form that rarely observed in other types of play writing. And when speaking about a war under the name of “Sacred Defense”?, it is natural that such concepts benefit from more out standing aspects.
News ID: 385045 Publish Date : 2016/10/30
Paradox is the main element of dramatic works. And we need two powers opposite each other in order to form any play; the two powers that one of which intends to change the current situation and the other one intends to keep the current situation. Therefore, all of the elements of the play and other elements are influenced by the intention of these two powers. And they develop parallel with these powers. We can observe “Clash”? in other narrative forms too. These other forms of narrative forms are namely myth, legend, story, old story, narrative movie, etc. all of these mentioned narrative forms find identity by getting help from clash and fighting. They change into an attractive possibility for following up an idea and target which is pre-identified by the writer. And they finally achieve a form of development and result. We can find one of the most beautiful forms of paradox in the sentence said by Hazrat Imam Ali [The first imam of the Shiite people] that was written at the beginning of the article. War is one of the outstanding appearances of paradox and clash. What ever the motivation of war is, it benefits from two opposing powers.
News ID: 385033 Publish Date : 2016/10/30
In this article it is tried to offer some definitions of the war from the social studies and from a dramatic point of view the role of the family in the creation of the play is discussed. At first we will deal with the investigation of the relationship of the families especially in the Iranian society at the time of the imposed war that was the context through which these plays have been created. In what follows the reflection of the family in the Ù?Sacred defense war plays such as 31 / 6 / 77, three parts of the pure life of a polite and beautiful young man, murmurs behind the front lines written by Ali Reza Naderi, Zemestan 66 by Mohammad Yagoobi, Nahre Firooz Abad ( First Part : Special care taking ) written by Mohammad Rahmanian, Asmaeeb and Dahani Por az Kalagh written by Jamshid Khanian have been investigated. In the end the Iranian plays mentioned above will be comparatively investigated with a foreign successful example, “All My Sons”? by Arthur Miller, the American writer.
News ID: 385031 Publish Date : 2016/10/29
of “Tadoj Cosan’s”? categorization each of which has a very important and effective role in the production of meaning. Among these signs, the terms or in other words the written text of the dramatic event – the only thing that remains as reminiscence in a written form – is a basic element in the ideas of many of the scholars. Even though, the study and investigation of the semiotics of the signs seems to be more attractive in performance domain due to the more completed form of any theatrical form. But the special study of the written text and discussion over the system of signs of the words and terms is of great importance because this part of the sign systems has got the highest and the most important role in the production of meaning. Any text of the dramatic event has got in them many elements that create meaning which are in turn related with a system of signs that is directly related to a sign system. Some others are by inference and intimation in the service of the other sign systems.
News ID: 385029 Publish Date : 2016/10/29