Imam Hossein, a role model for Mollaqolipour
TEHRAN, (SCIB) - Iranian director Nader Moqadassi who was talking on Mollagholipour said “Mollagholipour’s biggest concern was to make the film “evening of the 10th day”?. The film was supposed to be shot in Kerbela. Aba-Abd-ellah (Imam Hussein) had always been a role model for Mollagholipour and the manners of the Imams had shaped his worldview”?
TEHRAN, (SCIB) -Iranian director Nader Moqadassi who was talking on Mollagholipour said “Mollagholipour’s biggest concern was to make the film “evening of the 10th day”?. The film was supposed to be shot in Kerbela. Aba-Abd-ellah (Imam Hussein) had always been a role model for Mollagholipour and the manners of the Imams had shaped his worldview”? “ He had the opportunity to make a film about Imam Hussein many a time, but he didn’t allow himself to do so fearing that he may not be able to make a film that is fitting to Imam Hussein’s character.”? He added. “ Rasool would always experiment with different styles in his work, and this diversity of styles had added a freshness to his works. “ Heeva”? was the best example of these; a film that had beautifully combined reality and dreams.”? Said the director of “Heaven Station”?. Moqaddas called Mollaqolipour’s death an irrecoverable loss in Iranian cinema and said “His cinema was based on reality and this quality was due to his direct involvement with the war. His empty place will always be felt in Iranian Cinema”?. “In the shooting of “Journey to tomorrow”? by Mohammad Hussein Haqiqi, Rasool was working as production designer. Once, Rasool and I were driving to Tehran from the South; when we reached Fakeh, Rasool left the car and came back with tearful eyes; something I had never witnessed during all my years of friendship with him.”?
TEHRAN, (SCIB) -Iranian director Nader Moqadassi who was talking on Mollagholipour said “Mollagholipour’s biggest concern was to make the film “evening of the 10th day”?. The film was supposed to be shot in Kerbela. Aba-Abd-ellah (Imam Hussein) had always been a role model for Mollagholipour and the manners of the Imams had shaped his worldview”? “ He had the opportunity to make a film about Imam Hussein many a time, but he didn’t allow himself to do so fearing that he may not be able to make a film that is fitting to Imam Hussein’s character.”? He added. “ Rasool would always experiment with different styles in his work, and this diversity of styles had added a freshness to his works. “ Heeva”? was the best example of these; a film that had beautifully combined reality and dreams.”? Said the director of “Heaven Station”?. Moqaddas called Mollaqolipour’s death an irrecoverable loss in Iranian cinema and said “His cinema was based on reality and this quality was due to his direct involvement with the war. His empty place will always be felt in Iranian Cinema”?. “In the shooting of “Journey to tomorrow”? by Mohammad Hussein Haqiqi, Rasool was working as production designer. Once, Rasool and I were driving to Tehran from the South; when we reached Fakeh, Rasool left the car and came back with tearful eyes; something I had never witnessed during all my years of friendship with him.”?
TEHRAN, (SCIB) -Iranian director Nader Moqadassi who was talking on Mollagholipour said “Mollagholipour’s biggest concern was to make the film “evening of the 10th day”?. The film was supposed to be shot in Kerbela. Aba-Abd-ellah (Imam Hussein) had always been a role model for Mollagholipour and the manners of the Imams had shaped his worldview”? “ He had the opportunity to make a film about Imam Hussein many a time, but he didn’t allow himself to do so fearing that he may not be able to make a film that is fitting to Imam Hussein’s character.”? He added. “ Rasool would always experiment with different styles in his work, and this diversity of styles had added a freshness to his works. “ Heeva”? was the best example of these; a film that had beautifully combined reality and dreams.”? Said the director of “Heaven Station”?. Moqaddas called Mollaqolipour’s death an irrecoverable loss in Iranian cinema and said “His cinema was based on reality and this quality was due to his direct involvement with the war. His empty place will always be felt in Iranian Cinema”?. “In the shooting of “Journey to tomorrow”? by Mohammad Hussein Haqiqi, Rasool was working as production designer. Once, Rasool and I were driving to Tehran from the South; when we reached Fakeh, Rasool left the car and came back with tearful eyes; something I had never witnessed during all my years of friendship with him.”?
