navideshahed

In this article it is tried to offer some definitions of the war from the social studies and from a dramatic point of view the role of the family in the creation of the play is discussed. At first we will deal with the investigation of the relationship of the families especially in the Iranian society at the time of the imposed war that was the context through which these plays have been created. In what follows the reflection of the family in the Ù?Sacred defense war plays such as 31 / 6 / 77, three parts of the pure life of a polite and beautiful young man, murmurs behind the front lines written by Ali Reza Naderi, Zemestan 66 by Mohammad Yagoobi, Nahre Firooz Abad ( First Part : Special care taking ) written by Mohammad Rahmanian, Asmaeeb and Dahani Por az Kalagh written by Jamshid Khanian have been investigated. In the end the Iranian plays mentioned above will be comparatively investigated with a foreign successful example, “All My Sons”? by Arthur Miller, the American writer.

Understanding epical thinking is in need of studying the genres so as its historical developments and its origins as well as more importantly its historical changes are made apparent. Epic is a unique phenomenon. It is an art and an expression that is able to revitalize the life of the human beings with the special and strange power that it has. Therefore not every event is regarded as epic. From a historical point of view epic is an applicable, correcting, humanitarian art and it is against all destruction and artificiality. Its great example is the classical Greek drama. The writer gives life to the ethics and gender on the stage so as he damns every incongruent deed and behavior of his time.