In continuation of activities during the first and second decades of Islamic Revolution, Graphic artists have always made efforts to show humanitarian and spiritual values with their pictorial art works. Their concerns have been mostly reflected in the following two general sections: The first one is appearance of the concepts of Isargaran and martyrs to people in general and the second one is developing the art of graphic in order to achieve to Iranian – Islamic identity.
But, we should think more deeply about how they have achieved to their objectives.
Therefore, the current article intends to find the answers to following questions:
1: How have committed and revolutionary artists pictured the concepts of self sacrifice and martyrdom?
2: In development of the art of graphic, what new plans and ideas did these artists present in order to achieve Iranian- Islamic identity?
3: What sectors of the society were the audiences of artists of Islamic Revolution? And what effects did these audiences take from symbolic drawings which exist in posters?
Method of Research
General method of research in this article is chosen based on descriptive and analytic approach.